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    Pensar por acciones


    Friday, February 09, 2018 - Sunday, February 11, 2018

    In English »

    TALLER

    Pensar por acciones

    con Eugenio Barba y Julia Varley

     

    Viernes, sábado, domingo

    9, 10 y 11de febraio 2018. Horas 104.00 - 13.00

    Lugar: C/ Primavera 11 - Lavapies, Madrid

     

    El Seminario tiene como objetivo definir los diferentes niveles de dramaturgia en el trabajo sobre un espectáculo de teatro, y los aspectos básicos de la antropología teatral, tocando los siguientes temas:


    - Elaboración de la dramaturgia del actor a nivel orgánico o dinámico (acciones físicas y vocales).
    - Relación entre la partitura dinámica y la estructura narrativa.
    - Relación entre la dramaturgia total del director y la del texto.
    - Relación entre dramaturgia del director, la del escritor y la del actor.
    - Técnicas cotidianas y extra cotidianas.
    - Diferencia entre movimiento y acción.
    - Inmovilidad estática y dinámica.
    - La energía en el espacio y energía en el tiempo.
    - La técnica del montaje para directores.
    - La percepción del director y la percepción del espectador.

     

    El taller se desarrolla en forma de dialogo entre los participantes y Eugenio Barba, que crea situaciones prácticas de demostración de algunos problemas con la ayuda de Julia Varley.

     

    PENSAR-POR-ACCIONES.jpg

     

     

    Text in English:

     

    EB_JU_TOP.jpg

     

    WORKSHOP

    Thoughts in Action,

    with Eugenio Barba and Julia Varley

     

    Friday, Saturday and Sunday

    9, 10 and 11 February 2018. From 10.00 to 13.00 hrs.

    Venue: C/Primavera 11 - Lavapies, Madrid

     

    The workshop will attempt to define different dramaturgy levels of a theatre and the elementary aspects of theatre anthropology through the following topics::

    preparation of the dramatic actor to organic or dynamic level ( physical and vocal actions )
    dynamic relationship between the score and the narrative structure
    relationship between total drama director and Text
    relationship between drama director , the writer and actor
    daily and extra daily techniques
    difference between motion and action
    Static and dynamic immobility
    energy in the energy space and in time
    mounting technique for directors
    perception of the director and the viewer's perception
    The lecture takes place in the form of dialogue between participants and Eugenio Barba creates situations practical demonstration of some problems with the help of Julia Varley . The dynamic conversation Eugenio Barba serves to reveal his work as director -author exemplifying with exercises or scenes illustrating procedures and stimulate new questions while Julia Varley brings the point of view of the actors .
    Participants: 30 theater directors

     

    • preparation of the actor's dramaturgy at an organic or dynamic level (physical and vocal actions )
    • the relationship between the  dynamic score and the narrative structure
    • the relationship between the director's dramaturgy and the text
    • the relationship between the dramaturgy of the director , the writer and the actor
    • the daily and extra daily techniques
    • the difference between movement and action
    • the dynamic of static and dynamic immobility
    • the energy in space and the energy in time
    • the director's montage technique
    • the perception of the director and the perception of the spectator

     

    The workshop takes place in the form of dialogue between participants and Eugenio Barba who creates situations and practical demonstrations of some problems with the help of Julia Varley. The dynamic conversation Eugenio Barba serves to reveal his work as director/author exemplifying with exercises or scenes illustrating procedures and stimulate new questions while Julia Varley brings the point of view of the actors .

     

     

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    Calle Monteleón 15

    28004 Madrid

    España

     

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