The press wrote ...
„In her tour de force of acting, Cremer unsentimentally, disturbedly and disturbingly confronts herself with the painful job of remembering.“ (HA)
„Gilla Cremer, who also presented the Buchenwald tyrant Ilse Koch from the perpetrator’s perspective, now just as intensely portrays the victims‘ emotional mechanisms. In her 90-minute solo, by no means a monologue, she finds a way of expressing a whole range of derangements…“ (FAZ)
„A small gesture is enough for Gilla Cremer to change from the infant, who does not understand why its father is still suffering although he is no longer imprisoned, into the head of the family who expresses his anger about the suppression he has experienced, accompanied by the sounds of Leonard Cohen’s „Everybody knows“.“ (HC)
„The director and actress have managed to stage an important evening against forgetting. Not to mention the brilliant acting that makes this a captivating theatre performance and turns you into a bundle of nerves.“ (HA)
„The actress moves in a square confined by neon tubes, which can represent the concentration camp as well as the family’s house. She vividly intertwines the father’s memories with those of the children, changes roles in fluid transitions, appears as the concentration camp tormentor or recalls scenes that take place within the family and among the children.“(FR)
„Gilla Cremer’s girlish acting, mirroring every facet, changes the horror into poetry. It is beautiful, it is horrific ‚ and this would certainly be food for thought for Adorno.“(BG)